They Boldly Went is a tumblr devoted to Star Trek: The Original Series. It is maintained by Kevin Church.
A publicity photo of Kim Cattrall as Valeris from Star Trek VI: The Undiscovered Country.
It was near the end of principal photography on Star Trek VI: The Undiscovered Country that London Academy of Music and Dramatic Arts graduate (and Porky’s,...

A publicity photo of Kim Cattrall as Valeris from Star Trek VI: The Undiscovered Country

It was near the end of principal photography on Star Trek VI: The Undiscovered Country that London Academy of Music and Dramatic Arts graduate (and Porky’s, Police Academy, and Mannequin star) Kim Cattrall did something that no actress had done before: she got naked on the bridge of the Enterprise. According to multiple contemporary accounts, the actress had arranged for a discreet photo session on the empty bridge set in Studio 8 of the Paramount lot with a wardrobe that featured the iconic Vulcan ears and nothing else. 

In the the April 1992 issue of Cinefantastique, one anonymous crew member reported on the fallout: “Nimoy saw [the pictures] and hit the roof.” The movie’s executive producer then personally destroyed the prints and negatives from the very unauthorized shoot, fearing that if the images ever got out, they could deeply harm the franchise.  

When asked about the incident by Mark A. Altman for Cinefantastique’s look at the making of the final film featuring the original cast, Cattrall succinctly replied, “I can’t talk about that.”

Photo scanned from my personal collection.

Kim Cattrall as Valeris, alongside an unidentified background player in a publicity photo for Star Trek VI: The Undiscovered Country.
Valeris was not originally part of the conspiracy that causes so much trouble for the Enterprise and her crew. In...

Kim Cattrall as Valeris, alongside an unidentified background player in a publicity photo for Star Trek VI: The Undiscovered Country

Valeris was not originally part of the conspiracy that causes so much trouble for the Enterprise and her crew. In Nicholas Meyer & Denny Martin Flinn’s original screenplay, there was a complicated tracking sequence that climaxed with Kirk, Spock and Scotty coming across the conspiracy after they break into a secret Klingon base. Unfortunately, this was estimated to add up to $5,000,000 to the movie’s budget — money that the studio didn’t want to spend. 

As director, Meyer opted to cut this (expensive) portion of the film and streamlined the reveal of the conspiracy, allowing the production to use existing sets while saving some runtime in the end.

In Starlog #205, Flinn talked to Craig W. Chrissinger about how Meyer’s rewrite handled this: “With the cutting of the cabal scenes, it was necessary to come up with something a little more intriguing, and Valeris was right there. When I read it, I liked it. It didn’t bother me at all. If anything, it’s nice to have good and evil represented in all races because that’s much more in line with reality. There sometimes is an ambiguity in Star Trek because you don’t want just white hats and black hats. I guess there are some bad apples on Vulcan, too.”

Flinn then went on to give readers a bit more detail about the character’s origins in the production: "Valeris originally was, in fact, Saavik, but we couldn’t get Kirstie Alley for the role. Kirstie was already on the Paramount lot doing Cheers, so both Nick and one of the executives made calls to her. I don’t know any of the details, but the next thing I knew, we were changing the name to Valeris.”

(As to why the production didn’t simply move down to the next available Saavik, Robin Curtis? No idea. Maybe Meyer just liked working with Alley and wanted her back.)

Photo scanned from my personal collection.

As I get older (and, you know, more aware of the issues that surround things like this), the less I can stomach Spock’s mental assault on Valeris in Star Trek VI. Everything about the scene speaks to the complete ignorance of everyone involved when it comes to women’s issues and rights. What is, on the surface, a typical (if tasteless, as these things tend to be) torture-the-bad-guy-until-they-cough-up-some-information moment takes on some very sinister undertones with a little examination.

After deducing that Valeris is responsible for Gorkon’s death and confronting her in sickbay, the next step is fairly obvious: interrogation. However, instead of taking Valeris to the brig or even to a briefing room to find out what she knows, Kirk and Spock bring her to the bridge where, after she refuses to comply with their requests for information, Spock forces himself on her in front of everyone.

Star Trek has generally shown the mind meld to be a deeply personal action. Even when it occurs between two willing individuals, it’s shown to be a heavy, intimate undertaking. In fact, in Star Trek III, Sarek hesitates before joining his mind with Kirk’s for what amounted to a quick visit to make sure that his son hadn’t made a deposit in JTK’s memory bank.

Spock opting to perform the action in front of everyone may have given Nicholas Meyer a few dramatic seconds of footage, but a handful of uncomfortable glances doesn’t make up for how complicit it makes the entire cast look. Meyer worked hard to make the entire scene play out like a rape in front of the cameras, down to the fact that Valeris, her eyes filled with tears, cries out in a distinctly sexual way during the meld after Spock pushes her against her mental walls. I understand the logic of this approach. It is a complete violation of another person, after all, but the lack of any kind of follow-up just highlights how thoughtlessly the scene ended up being written and directed.

Outside of a quick glance at Valeris before going about his business, Spock shows absolutely no remorse for his actions. In the next scene, he’s seen meditating in his quarters but she only comes up in a single line in the entire conversation: Spock’s “I was prejudiced by her accomplishments as a Vulcan" as an excuse for not figuring out who was responsible in the first place. Instead, he and Jim Kirk talk about being old men and having old men problems with the future, which is nice, but a line or two about what occurred and how Spock felt would have made the hero’s extreme actions feel a little more understandable, if not exactly heroic.

Everyone complains about Alice Eve’s underwear moment in Star Trek Into Darkness and yes, that’s about as dumb as these things get, but having Carol Marcus tell Jim Kirk to not look at her in her skivvies seems downright quaint compared to watching one of the series protagonists assault a woman he’s known for decades with no repercussions or regrets.

Publicity Photo, Star Trek VI: The Undiscovered Country

Publicity Photo, Star Trek VI: The Undiscovered Country

Box art and stills, Star Trek V: The Final Fronter PC game, 1989

Stills, Star Trek VI: The Undiscovered Country, 1991

Stills, Star Trek VI: The Undiscovered Country, 1991

Set Photo: Nicholas Meyer directs James Doohan and Kim Catrall, Star Trek VI: The Undiscovered Country, 1991

Set Photo: Nicholas Meyer directs James Doohan and Kim Catrall, Star Trek VI: The Undiscovered Country, 1991

Valeris, drawn as a birthday gift for this Tumblog’s author by the supremely talented Jordie Bellaire. Thank you, Jordie!

Valeris, drawn as a birthday gift for this Tumblog’s author by the supremely talented Jordie Bellaire. Thank you, Jordie!

Publicity Photo, Star Trek VI, 1991

Publicity Photo, Star Trek VI, 1991